More than 70 songs by Huddie Ledbetter, with chord names and musical transcriptions by Jerry Silverman and biographical notes by Pete Seeger, Woody Guthrie, Fred Ramsey, and Charles Smith. Includes: Midnite Special, Backwater Blues, John Henry, and House Of The Rising Sun.
Né dans une plantation de coton à la fin du 19ème siècle, Lead Belly est doté d’un talent inné pour la musique et d’un tempérament fougueux. Dans les années 1930, aux côtés de John Lomax, il enregistre un pan entier de la musique traditionnelle américaine avant de se rapprocher des mouvances de la gauche radicale. Malgré un talent reconnu, la signature de disques avec d’importants labels et l’enregistrement de standards de la pop music tels que « Black Betty », « The Midnight Special », « House of the Rising Sun », « Gallows Pole » ou encore « Where Did You Sleep Last Night ? »., sa carrière discographique ne décolle pas de son vivant. En 1949, quelques mois avant sa mort, il devient le premier musicien folk à jouer en Europe. Il est une référence pour de nombreux musiciens après lui. Né en Bretagne en 1988, Amaury Cornut vit et travaille désormais depuis le vignoble nantais. Depuis sa rencontre avec la musique de Moondog (Le mot et le reste, 2014) il aime à chercher et à raconter les trajectoires obliques de musiciens dont l’influence s’exerce dans une ombre relative, pour mieux les mettre en lumière. Il se considère alors davantage...
National Poetry Series winner makes compelling poetry from the tumultuous life of blues singer Leadbelly.
With its appeal predicated upon what civilized society rejects, there has always been something hidden in plain sight when it comes to the outlaw figure as cultural myth. Damian A. Carpenter traverses the unsettled outlaw territory that is simultaneously a part of and apart from settled American society by examining outlaw myth, performance, and perception over time. Since the late nineteenth century, the outlaw voice has been most prominent in folk performance, the result being a cultural persona invested in an outlaw tradition that conflates the historic, folkloric, and social in a cultural act. Focusing on the works and guises of Lead Belly, Woody Guthrie, and Bob Dylan, Carpenter goes beyond the outlaw figure’s heroic associations and expands on its historical (Jesse James, Billy the Kid), folk (John Henry, Stagolee), and social (tramps, hoboes) forms. He argues that all three performers represent a culturally disruptive force, whether it be the bad outlaw that Lead Belly represented to an urban bourgeoisie audience, the good outlaw that Guthrie shaped to reflect the social concerns of marginalized people, or the honest outlaw that Dylan offered audiences who responded to...
He popular Encyclopedia of the Blues, first published by the University of Arkansas Press in 1992 and reprinted six times, has become an indispensable reference source for all involved with or intrigued by the music. The work alphabetizes hundreds of biographical entries, presenting detailed examinations of the performers and of the instruments, trends, recordings, and producers who have created and popularized this truly American art form.
This continuation volume of the Pan-African Chronology set covers the most significant events in the African diaspora from the end of the American Civil War through the pre-World War I years. This was a time of great change for black Americans--Reconstruction, the founding of the NAACP, the formation of the separate but equal doctrine, and the migration of blacks from the rural South to Northern cities. The eradication of slavery as a legalized institution was finally realized in the Americas, while the struggle to end it in Asia was also taking place. European colonialism in Africa was accelerated, ironically coinciding with humanitarian efforts to end the slave trade on the African continent. These events and many others are covered here.
Alphabetically-arranged entries from A to C that explores significant events, major persons, organizations, and political and social movements in African-American history from 1896 to the twenty-first-century.
Southern music has flourished as a meeting ground for the traditions of West African and European peoples in the region, leading to the evolution of various traditional folk genres, bluegrass, country, jazz, gospel, rock, blues, and southern hip-hop. This much-anticipated volume in The New Encyclopedia of Southern Culture celebrates an essential element of southern life and makes available for the first time a stand-alone reference to the music and music makers of the American South. With nearly double the number of entries devoted to music in the original Encyclopedia, this volume includes 30 thematic essays, covering topics such as ragtime, zydeco, folk music festivals, minstrelsy, rockabilly, white and black gospel traditions, and southern rock. And it features 174 topical and biographical entries, focusing on artists and musical outlets. From Mahalia Jackson to R.E.M., from Doc Watson to OutKast, this volume considers a diverse array of topics, drawing on the best historical and contemporary scholarship on southern music. It is a book for all southerners and for all serious music lovers, wherever they live.
This book profiles some of the handful of people who rescued significant cultural treasures that would or may have been otherwise lost to humankind. Some, like Dr. Assad, were on a noble mission, but that is not always the case. Some are motivated by profit, fame, gratitude, or personal advancement. The act of rescue may not be straightforward: even the most heroic ones can be tainted, suspect, illegal, or ethically equivocal. The ten stories in The Rescuers include a variety of objects, motivations, locations and historic periods. They include a Scottish prehistoric site; Soviet-era seed banking; mid-20th century photographic masterworks; African American and immigrant folk music; Alaskan Native ceremonial and cultural objects; and a German language, Czech author whose manuscripts now reside in an Israeli archive. While each is a unique story, it is also representative of similar cases. Chapters explore some of the most controversial issues facing society today: appropriation, repatriation, indigenous rights, copyright law, racism, and the impact of tourism on fragile cultural sites. What does the act of rescue mean? What is the psychology of those who commit these acts? Should...
Contains over 750 alphabetically-arranged entries that provide information about the rock group Grateful Dead, featuring profiles of band members and associated musicians, filmmakers, photographers, composers, and others, and descriptions of the band's albums and solo releases.
This book provides a sequel to Robert Ford's comprehensive reference work A Blues Bibliography, the second edition of which was published in 2007. Bringing Ford's bibliography of resources up to date, this volume covers works published since 2005, complementing the first volume by extending coverage through twelve years of new publications. As in the previous volume, this work includes entries on the history and background of the blues, instruments, record labels, reference sources, regional variations, and lyric transcriptions and musical analysis. With extensive listings of print and online articles in scholarly and trade journals, books, and recordings, this bibliography offers the most thorough resource for all researchers studying the blues.
Presents the life of the acclaimed blues musician, known for songs whose topics ranged from his African American roots to space exploration, and focuses on his eccentric style of guitar playing and his lasting influences in music.
The popular Encyclopedia of the Blues, first published by the University of Arkansas Press in 1992 and reprinted six times, has become an indispensable reference source for all involved with or intrigued by the music. The work alphabetizes hundreds of biographical entries, presenting detailed examinations of the performers and of the instruments, trends, recordings, and producers who have created and popularized this truly American art form.
A long time ago at the Crossroads, the great bluesman Robert Johnson sang "Judgment Day" and judgment did rain down upon the world. Now, a little girl named Lisa is the only hope for humanity's redemption, but she and her mother Emma must face what happens when Lisa dies and comes back to life ... again. Little Lisa and the greatest bluesmen of all time, from Leadbelly to Stevie Ray Vaughan, and even Dead Elvis, confront angels, demons, and voodoo powers before the ultimate showdown in the ultimate city of music, heaven and hell: New Orleans. This is an apocalyptic, supernatural, Southern Gothic horror novel that some of our best horror writers say they wished they had written. If you enjoy shows like The Walking Dead and Z-Nation, you will love Bone Music. Reed Business Information - Publishers Weekly Through colloquial prose that's strong and perfectly pitched, Rodgers combines elements of horror (sometimes graphic), fantasy and magical realism into a unique novel that's not only an occult standout but a captivating memoir of an important slice of American culture.
The definitive biography of the revolutionary band Nirvana and its star-crossed frontman Kurt Cobain, hailed by Rolling Stone as “the first [book] to comprehensively tell the band’s tale from Aberdeen, Wash., to world domination” “Amazingly raw and candid . . . an unsparing and extremely honest depiction of the group’s highly tumultuous history . . . Come As You Are is as good as rock bios get.”—Billboard “Just tell the truth. That’ll be better than anything else that’s been written about me.”—Kurt Cobain Nirvana came out of nowhere in 1991 to sell nearly five million copies of their landmark album Nevermind, whose thunderous sound and indelible melodies embodied all the confusion, frustration, and passion of the emerging Generation X. Come As You Are is the close-up, intimate story of Nirvana—the only book with exclusive in-depth interviews with bandmembers Kurt Cobain, Krist Noveselic, and Dave Grohl, as well as friends, relatives, former bandmembers, and associates—now updated to include a final chapter detailing the last year of Kurt Cobain's life, before his tragic suicide in April 1994. Vivid, evocative, and thought-provoking, Come As You Are is...
When he created the character Dave Robicheaux, author James Lee Burke lent the New Orleans homicide detective a few of his own characteristics: a daughter named Alafair, a lifetime struggle with alcohol, his Roman Catholic faith, and his love for fishing and the outdoors. On the other hand, Robicheaux is portrayed as a veteran of the Vietnam war, something Burke never experienced firsthand. Yet the demons Burke has known allow him to write convincingly about demons he never knew. Thus Burke has created a realistic, complex and compelling protagonist for his crime fiction series. That depth is one element that elevates Burke's writing above the status of genre fiction. This book explores how James Lee Burke, through the first person narrative of detective Dave Robicheaux, probes the world of law and order, crime and disorder, and one man's internal conflicts with modern moral issues. The first chapter reveals the similarities and differences between real life creator and fictional protagonist. Next, chapters arranged by theme explore the roles of women, Robicheaux's paternal side as revealed through his adopted daughter, the paternal influences in the detective's own life, and the...
Talkin' 'Bout a Revolution is a comprehensive guide to the relationship between American music and politics. Music expert Dick Weissman opens with the dawn of American history, then moves to the book's key focus: 20th-century music – songs by and about Native Americans, African-Americans, women, Spanish-speaking groups, and more. Unprecedented in its approach, the book offers a multidisciplinary discussion that is broad and diverse, and illuminates how social events impact music as well as how music impacts social events. Weissman delves deep, covering everything from current Native American music to “music of hate” – racist and neo-Nazi music – to the music of the Gulf wars, union songs, patriotic and antiwar songs, and beyond. A powerful tool for professors teaching classes about politics and music and a stimulating, accessible read for all kinds of appreciators, from casual music fans to social science lovers and devout music history buffs.
Everyone knows the story of the Delta blues, with its fierce, raw voices and tormented drifters and deals with the devil at the crossroads at midnight. In this compelling book, Marybeth Hamilton radically rewrites that story. Archaic and primeval though the music may sound, the idea of something called 'Delta blues' emerged in the late twentieth century, the culmination of a longstanding white fascination with 'uncorrupted' black singers, untainted by the city, by commerce, by the sights and sounds of modernity. Written with exquisite grace and sensitivity, at once historically acute and hauntingly poetic, the book is an extraordinary excavation of the blues mystique and provides a deeper understanding of the place of blues within wider American culture.
The Funk Era and Beyond is the first scholarly collection to discuss the significance of funk music in America. Contributors employ a multitude of methodologies to examine this unique musical genre's relationship to African American culture and to music, literature, and visual art as a whole.
A searing critique of definitions of black masculinity at work in American culture, Race Men shows how these defining images play out socially, culturally, and politically for black and white society—and how they exclude women altogether.
Israel G. “Izzy” Young was the proprietor of the Folklore Center in Greenwich Village from the late 1950s to the early 1970s. The literal center of the New York folk music scene, the Center not only sold records, books, and guitar strings but served as a concert hall, meeting spot, and information kiosk for all folk scene events. Among Young’s first customers was Harry Belafonte; among his regular visitors were Alan Lomax and Pete Seeger. Shortly after his arrival in New York City in 1961, an unknown Bob Dyan banged away at songs on Young’s typewriter. Young would also stage Dylan’s first concert, as well as shows by Joni Mitchell, the Fugs, Emmylou Harris, and Tim Buckley, Doc Watson, Son House, and Mississippi John Hurt. The Conscience of the Folk Revival: The Writings of Israel “Izzy” Young collects Young’s writing, from his regular column “Frets and Frails” for Sing Out! Magazine (1959-1969) to his commentaries on such contentious issues as copyright and commercialism. Also including his personal recollections of seminal figures, from Bob Dylan and Alan Lomax to Harry Smith and Woody Guthrie, this collection removes the rose tinting of past memoirs by...
For centuries, African Americans have made important contributions to American culture. From Crispus Attucks, whose death marked the start of the Revolutionary War, to Oprah Winfrey, perhaps the most recognizable and influential TV personality today, black men and women have played an integral part in American history. This greatly expanded and updated edition of our best-selling volume, The Biographical Dictionary of Black Americans, Revised Edition profiles more than 250 of America's important, influential, and fascinating black figures, past and present—in all fields, including the arts, entertainment, politics, science, sports, the military, literature, education, the media, religion, and many more.
In American music, the notion of "roots" has been a powerful refrain, but just what constitutes our true musical traditions has often been a matter of debate. As Benjamin Filene reveals, a number of competing visions of America's musical past have vied fo
The twelfth volume of The Collected Works of Langston Hughes contains Hughes's collections of biographies for children and young adults - Famous American Negroes, Famous Negro Music Makers, and Famous Negro Heroes of America - gathered together for the first time. In these works, Hughes sought to remedy decades of historical and cultural neglect by telling the stories of African Americans who had made vital contributions to the construction of the American identity. Hughes made clear his commitment to an inclusive and diverse accounting of the achievements of African Americans on American soil, from vernacular expression to high culture, oratory to combat, geographical exploration to intellectual introspection. His lively and dramatic portraits of African Americans such as Crispus Attucks, Frederick Douglass, Jackie Robinson, and Mahalia Jackson, battling against exclusivity and adversity to achieve their full potential, present a captivating portrait of America. This volume is a valuable record of the emerging African American struggle for civil rights and positive self- determination. It also documents Hughes's interests as he entered the fifth decade of his life and can be read ...
W. C. Handy waking up to the blues on a train platform, Buddy Bolden eavesdropping on the drums at Congo Square, John Lomax taking his phonograph recorder into a southern penitentiary - in Disturbing the Peace, Bryan Wagner revises the history of the black vernacular tradition and gives a new account of black culture by reading these myths in the context of the tradition's ongoing engagement with the law.
Born in South Carolina, White spent his childhood as a lead boy for traveling blind bluesmen. In the early '30s he moved to New York and became a popular blues star, then introduced folk-blues to a mass white audience in the 1940s. He was famed both for his strong Civil Rights songs, which made him a favorite of the Roosevelts, and for his sexy stage persona. The king of Café Society-also home to Billie Holiday--he was the one bluesman to consistently pack the New York nightspots, and the first black singer-guitarist to act in Hollywood films and star on Broadway. In the 1950s, White's bitter compromise with the blacklisters left him with few friends on either end of the political spectrum. He spent much of the decade in Europe, then came back strong in the 1960s folk revival. By 1963, he was voted one of America's top three male folk stars, but his health was failing and he did not survive the decade. Written in an engaging style, Society Blues portrays the difficult balancing act that all black performers must face in a predominantly white culture. Through the twists and turns of White's life, it traces the evolution of the blues and folk revival, and is a must read for anyone...
Alan Lomax is a legendary figure in American folk music circles. Although he published many books, hundreds of recordings and dozens of films, his contributions to popular and academic journals have never been collected. This collection of writings, introduced by Lomax's daughter Anna, reintroduces these essential writings. Drawing on the Lomax Archives in New York, this book brings together articles from the 30s onwards. It is divided into four sections, each capturing a distinct period in the development of Lomax's life and career: the original years as a collector and promoter; the period from 1950-58 when Lomax was recording thorughout Europe; the folk music revival years; and finally his work in academia.
Traditional African musical forms have long been accepted as fundamental to the emergence of blues and jazz. Yet there has been little effort at compiling recorded evidence to document their development. This discography brings together hundreds of recordings that trace in detail the evolution of the African American musical experience, from early wax cylinder recordings made in West Africa to voodoo rituals from the Carribean Basin to the songs of former slaves in the American South.
John A. Lomax was an American original, a man of intellect, tireless ambition, visionary zeal, and vast contradictions. Perhaps best known as a pioneer American folklorist, he was also a successful businessman, an influential educator, and the patriarch of an extended family of artists, performers, and scholars whose work continues to influence American culture on both popular and academic levels.
More than 70 songs by Huddie Ledbetter, with chord names and musical transcriptions by Jerry Silverman and biographical notes by Pete Seeger, Woody Guthrie, Fred Ramsey, and Charles Smith. Includes: Midnite Special * Backwater Blues * John Henry * House of the Rising Sun * and more.
This reference volume is intended for both the casual and the most avid blues fan. It is divided into five separately introduced sections and covers 50 artists with names like Muddy, Gatemouth and Hound Dog who helped shape 20th-century American music. Beginning with the pioneering Mississippi Delta bluesmen, the book then follows the spread of the genre to the city, in the section on the Chicago Blues School. The third segment covers the Texas blues tradition; the fourth, the great blueswomen; and the fifth, the genre's development outside its main schools. The styles covered range from Virginia-Piedmont to Bentonia and from barrelhouse to boogie-woogie. The main text is augmented by substantial discographies and a lengthy bibliography.
This Companion explores the historical and theoretical contexts of the singer-songwriter tradition, and includes case studies of singer-songwriters from Thomas d'Urfey through to Kanye West.
These handy, accessible books provides literally all the information you need to know to gain a new hobby or understand a difficult topic. "Guitar" makes learning how to play an acoustic or electric guitar easy and will serve as the perfect introduction to this popular instrument. This title covers everything you need to know: how to play your first songs, reading music and tablature, mastering genre styles, and much, much more. With clear step-by-step instructions, diagrams and practice tips, this practical manual will have readers playing chords and songs in no time.
Hollywood film directors are some of the world's most powerful storytellers, shaping the fantasies and aspirations of people around the globe. Since the 1960s, African Americans have increasingly joined their ranks, bringing fresh insights to movie characterizations, plots, and themes and depicting areas of African American culture that were previously absent from mainstream films. Today, black directors are making films in all popular genres, while inventing new ones to speak directly from and to the black experience. This book offers a first comprehensive look at the work of black directors in Hollywood, from pioneers such as Gordon Parks, Melvin Van Peebles, and Ossie Davis to current talents including Spike Lee, John Singleton, Kasi Lemmons, and Carl Franklin. Discussing 67 individuals and over 135 films, Melvin Donalson thoroughly explores how black directors' storytelling skills and film techniques have widened both the thematic focus and visual style of American cinema. Assessing the meanings and messages in their films, he convincingly demonstrates that black directors are balancing Hollywood's demand for box office success with artistic achievement and responsibility to...
On a Saturday night in 1948, Hank Williams stepped onto the stage of the Louisiana Hayride and sang "Lovesick Blues." Up to that point, Williams's yodeling style had been pigeon-holed as hillbilly music, cutting him off from the mainstream of popular music. Taking a chance on this untried artist, the Hayride--a radio "barn dance" or country music variety show like the Grand Ole Opry--not only launched Williams's career, but went on to launch the careers of well-known performers such as Jim Reeves, Webb Pierce, Kitty Wells, Johnny Cash, and Slim Whitman.Broadcast from Shreveport, Louisiana, the local station KWKH's 50,000-watt signal reached listeners in over 28 states and lured them to packed performances of the Hayride's road show. By tracing the dynamic history of the Hayride and its sponsoring station, ethnomusicologist Tracey Laird reveals the critical role that this part of northwestern Louisiana played in the development of both country music and rock and roll. Delving into the past of this Red River city, she probes the vibrant historical, cultural, and social backdrop for its dynamic musical scene. Sitting between the Old South and the West, this one-time frontier town...
Blackface minstrelsy is associated particularly with popular culture in the United States and Britain, yet despite the continual two-way flow of performers, troupes and companies across the Atlantic, there is little in Britain to match the scholarship of blackface studies in the States. This book concentrates on the distinctively British trajectory of minstrelsy. The historical study and cultural analysis of minstrelsy is important because of the significant role it played in Britain as a form of song, music and theatrical entertainment. Minstrelsy had a marked impact on popular music, dance and other aspects of popular culture, both in Britain and the United States. Its impact in the United States fed into significant song and music genres that were assimilated in Britain, from ragtime and jazz onwards, but prior to these influences, minstrelsy in Britain developed many distinct features and was adapted to operate within various conventions, themes and traditions in British popular culture. Pickering provides a convincing counter-argument to the assumption among writers in the United States that blackface was exclusively American and its British counterpart purely imitative....
While Texans Jazz includes Anglo Texan and Latino Texan musicians, its great strength is its record of the historic contributions to jazz made by African-American Texans.
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