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Readings in Russian Civilization Volume III

Autore: Thomas Riha

Numero di pagine: 379

"This new and enlarged version of Readings in Russian Civilization is the result of fairly extensive revisions. There are now 72 instead of 64 items; 20 of the selections are new. The first volume has undergone the least change with 3 new items, of which 2 appear in English for the first time. In the second volume there are 6 new items; all of them appear in English for the first time. The third volume has undergone the greatest revision, with 11 new items, of which 6 are newly translated from the Russian. It is the editor's hope that items left out in the new edition will not be sorely missed, and that the new selections will turn out to be useful and illuminating. The aim, throughout, has been to cover areas of knowledge and periods which had been neglected in the first edition, and to include topics which are important in the study of the Russian past and present. "The bibliographical headnotes have been enlarged, with the result that there are now approximately twice as many entries as in the old edition. New citations include not only works which have appeared since 1963, but also older books and articles which have come to the editor's attention."—From the Editor's Preface ...

Writing in Red

Autore: Nergis Ertürk

Numero di pagine: 220

The republic of Turkey and the Soviet Union both emerged from the wreckage of empires surrounding World War I, and pathways of literary exchange soon opened between the two revolutionary states. Even as the Turkish government pursued a friendly relationship with the USSR, it began to persecute communist writers. Whether going through official channels or fleeing repression, many Turkish writers traveled to the Soviet Union during the 1920s and 1930s, publishing original work, editing prominent literary journals, and translating both Russian classics and Soviet literature into Turkish. Writing in Red traces the literary and exilic itineraries of Turkish communist and former communist writers, examining revolutionary aesthetics and politics across Turkey and the Soviet Union from the mid-1920s through the 1960s. Nergis Ertürk considers a wide range of texts—spanning genres such as erotic comedy, historical fiction and film, and socialist realist novels and theater—by writers including Nâzim Hikmet, Vâlâ Nureddin, Nizamettin Nazif, Suat Derviş, and Abidin Dino. She argues that these works belong simultaneously to modern Turkish literature, a transnational Soviet republic of...

Lyudi

Autore: Mikhail Zoshchenko

Numero di pagine: 0

Mikhail Zoshchenko, 1895-1958, was a great Soviet humorist. His works give a unique picture of Russian life in the Soviet period - a picture which, though satirically distorted and camouflaged by deliberate ambiguities, presents a shrewd commentary on the times. Lyudi first appeared in 1924. It is a long short story about the loss of gross illusions, about despair and decay, the struggle for existence, the animal in man. The hero is an émigré of the Tsarist period, who returns to Russia after the Revolution, has his illusions duly shattered, and sinks into a scarcely human existence. He is a parody of two stock figures: 'the repentant nobleman' and 'the superfluous man'. The language is a splendid mixture of colloquial speech, official jargon, and inflated style. There is an English introduction, notes on the linguistic difficulties and select vocabulary, while the text is in Russian.

The Woman who Could Not Read and Other Tales, by Michael Zoshchenko. Translated by Elisaveta Fen

Autore: Mikhail Zoshchenko

Numero di pagine: 186

Bakhtin, Stalin, and Modern Russian Fiction

Autore: M. Keith Booker , Dubravka Juraga

Numero di pagine: 208

Bakhtin, Stalin, and Modern Russian Fiction presents an advanced introduction to the work of the Russian theorist Mikhail Bakhtin, focusing on the concepts of carnival, dialogism, and historicism. The discussion of Bakhtin pays particular attention to the impact of his historical context in the Soviet Union and to the importance of his own dialogic mode of discourse. Bakhtin's ideas are then placed in dialogic relation to the works of several important writers of modern Russian fiction, including Vassily Aksyonov, Ilf and Petrov, Mikhail Zoshchenko, Yuz Aleshkovsky, Andrei Bitov, and Sasha Sokolov.

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